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Various War-time Poems

In general, the Romantic poets, as a group, stopped writing poems in quantity and quality.  The Literary Romanticism movement was shattered by the Civil War.  It was wounded at the First Battle of Bull Run and killed at Shiloh.  Many poets, especially the Fireside Poets, turned to prose as their medium of expression, for the most part rejecting poetry.  They did write some poetry, but their major outputs were in the forms of non-fiction prose or translations of older texts like Homer and Chaucer.  Interestingly, the prose writers, particularly Melville, turned to poetry as their medium.  Most turned away from the war as their topics, with the major exceptions of Melville and Whittier. 

An interesting thing takes place with Melville's poetry: it is extraordinarily good.  Other then Walt Whitman's, Melville's war-time poetry is superb.  His poetry has received much attention with the 150th anniversary of the Civil War.  Many scholars, including myself, consider the collected Civil War poems as the 2nd best volume of war poetry ever written by an American.


However, they did write some poetry with differing degrees of success.

The Quadroon Girl
 Henry Wadsworth Longfellow

The Slaver in the broad lagoon
   Lay moored with idle sail;
He waited for the rising moon,
   And for the evening gale.

Under the shore his boat was tied,
   And all her listless crew
Watched the gray alligator slide
   Into the still bayou.

Odors of orange-flowers, and spice,
   Reached them from time to time,
Like airs that breathe from Paradise
   Upon a world of crime.


The Planter, under his roof of thatch,
   Smoked thoughtfully and slow;
The Slaver's thumb was on the latch,
   He seemed in haste to go.

He said, "My ship at anchor rides
   In yonder broad lagoon;
I only wait the evening tides,
   And the rising of the moon."

Before them, with her face upraised,
   In timid attitude,
Like one half curious, half amazed,
   A Quadroon maiden stood.


Her eyes were large, and full of light,
   Her arms and neck were bare;
No garment she wore save a kirtle bright,
   And her own long, raven hair.

PictureThe Quadroon Girl, by Scottish Romantic painter Robert Gavin






And on her lips there played a smile
   As holy, meek, and faint,
As lights in some cathedral aisle
   The features of a saint.

"The soil is barren,--the farm is old";
   The thoughtful planter said;
Then looked upon the Slaver's gold,
   And then upon the maid.

His heart within him was at strife
   With such accursed gains:
For he knew whose passions gave her life,
   Whose blood ran in her veins.

But the voice of nature was too weak;
   He took the glittering gold!
Then pale as death grew the maiden's cheek,
   Her hands as icy cold.

The Slaver led her from the door,
   He led her by the hand,
To be his slave and paramour
   In a strange and distant land!



                                                                                                               From Poems on Slavery
Note: A quadroon is a person who has one grandparent of African descent; all other grandparents are white; nevertheless, she is considered a slave if her mother, regardless of race, is also a slave.  It is not well known that significant numbers of slaves were White and Native American.

Barbara Frietchie

                                                                                                                              John Greenleaf Whittier

During the failed invasion of Maryland by the Confederate Army under the command of Robert E. Lee, troops under the command of the volatile general Stonewall Jackson passed through Frederick, Maryland.  The story goes that the 95 year old Barbara Frietichie defiantly waved her American flag and dared Jackson's troops to remove it.  Jackson, admiring her courage, age, gender and patriotism, ordered her to be left in peace.  Much debate rages on the historical accuracy of the poem.  However, by nearly all records, the actions of both Stonewall Jackson and Barbara Frietchie is consistent to their personalities.

UP from the meadows rich with corn,
Clear in the cool September morn,

The clustered spires of Frederick stand
Green-walled by the hills of Maryland.

Round about them orchards sweep,
Apple and peach tree fruited deep,

Fair as the garden of the Lord
To the eyes of the famished rebel horde,

On that pleasant morn of the early fall
When Lee marched over the mountain-wall;

Over the mountains winding down,
Horse and foot, into Frederick town.

Forty flags with their silver stars,
Forty flags with their crimson bars,

Flapped in the morning wind: the sun
Of noon looked down, and saw not one.

Up rose old Barbara Frietchie then,
Bowed with her fourscore years and ten;

Bravest of all in Frederick town,
She took up the flag the men hauled down;

In her attic window the staff she set,
To show that one heart was loyal yet.

Up the street came the rebel tread,
Stonewall Jackson riding ahead.

Under his slouched hat left and right
He glanced; the old flag met his sight.


It shivered the window, pane and sash;
It rent the banner with seam and gash.

Quick, as it fell, from the broken staff
Dame Barbara snatched the silken scarf.

She leaned far out on the window-sill,
And shook it forth with a royal will.


 "Shoot, if you must, this old gray head,
But spare your country's flag," she said.

A shade of sadness, a blush of shame,
Over the face of the leader came;


From the Public Domain


PictureBroadside of Frietchie and poem



















 


The nobler nature within him stirred
To life at that woman's deed and word:


"Who touches a hair of yon gray head
Dies like a dog! March on!" he said.

All day long through Frederick street
Sounded the tread of marching feet:

All day long that free flag tost
Over the heads of the rebel host.

Ever its torn folds rose and fell
On the loyal winds that loved it well;

And through the hill-gaps sunset light
hone over it with a warm good-night.

Barbara Frietchie's work is o'er,
And the Rebel rides on his raids no more.

Honor to her! and let a tear
Fall, for her sake, on Stonewall's bier.

Over Barbara Frietchie's grave,
Flag of Freedom and Union, wave!

Peace and order and beauty draw
Round thy symbol of light and law;

And ever the stars above look down
On thy stars below in Frederick town!

 


        Shiloh
                A Requiem
       by Herman Melville


Skimming lightly, wheeling still,
   The swallows fly low
Over the field in clouded days,
   The forest-field of Shiloh---
Over the field where April rain
Solaced the parched ones stretched in pain
Through the pause of night
That followed the Sunday fight
   Around the church of Shiloh---
The church so lone, the log-built one,
That echoed to many a parting groan
      And natural prayer
   Of dying foemen mingled there---
Foemen at morn, but friends at eve---
   Fame or country least their care:
(What like a bullet can undeceive!)
   But now they lie low,
While over them the swallows skim,
   And all is hushed at Shiloh.

From Project Guttenberg.org

The Battle of Shiloh, in Tennessee, took place on 6-7 April 1862. Casualty levels were unprecedented: the 3500 men who died there amounted to more than the United States had lost in the Revolutionary War, the War of 1812 and the Mexican War combined.

As befits its subtitle, Herman Melville's 'requiem' is remarkably non-partisan. Both sides seem to have been deceived; how modern that parenthetical line sounds, both in tone and sentiment. Melville gives the fatally wounded the opportunity to overcome their enmity. Americans all, they live as foe and die as friends: the schisms of civil war are healed in deaths which transform churchyard into graveyard. That the battlefield should have been a site of Christian worship emphasises the appalling costs of this fratricide as well as the possibilities for its redress.

Courtesy of Tim Kendell, Professor of English, U of Exeter, UK.
shiloh
Battle of Shiloh by Thure de Thulstrup

                     Boston Hymn (1863)
                        Ralph Waldo Emerson
     A Commemoration of Lincoln's Emancipation Proclamation


The word of the Lord by night
To the watching Pilgrims came,
As they sat by the seaside,
And filled their hearts with flame.

God said, I am tired of kings,
I suffer them no more;
Up to my ear the morning brings
The outrage of the poor.

Think ye I made this ball
A field of havoc and war,
Where tyrants great and tyrants small
Might harry the weak and poor?

My angel, his name is Freedom,--
Choose him to be your king;
He shall cut pathways east and west,
And fend you with his wing.

Lo! I uncover the land
Which I hid of old time in the West,
As the sculptor uncovers the statue
When he has wrought his best;

I show Columbia, of the rocks
Which dip their foot in the seas,
And soar to the air-borne flocks
Of clouds, and the boreal fleece.

I will divide my goods;
Call in the wretch and slave:
None shall rule but the humble,
And none but Toil shall have.

I will have never a noble,
No lineage counted great;
Fishers and choppers and ploughmen
Shall constitute a state.

Go, cut down trees in the forest,
And trim the straightest boughs;
Cut down the trees in the forest,
And build me a wooden house.

Call the people together,
The young men and the sires,
The digger in the harvest field,
Hireling, and him that hires;

And here in a pine state-house
They shall choose men to rule
In every needful faculty,
In church, and state, and school.


From the Public Domain




Lo, now! if these poor men
Can govern the land and sea,
And make just laws below the sun,
As planets faithful be.

And ye shall succour men;
'T is nobleness to serve;
Help them who cannot help again:
Beware from right to swerve.

I break your bonds and masterships,
And I unchain the slave:
Free be his heart and hand henceforth
As wind and wandering wave.

I cause from every creature
His proper good to flow:
As much as he is and doeth,
So much he shall bestow.

But laying hands on another
To coin his labour and sweat,
He goes in pawn to his victim
For eternal years in debt.

To-day unbind the captive,
So only are ye unbound;
Lift up a people from the dust,
Trump of their rescue, sound!

Pay ransom to the owner,
And fill the bag to the brim.
Who is the owner? The slave is owner,
And ever was. Pay him.

O North! give him beauty for rags,
And honour, O South! for his shame;
Nevada! coin thy golden crags
With Freedom's image and name.

Up! and the dusky race
That sat in darkness long,--
Be swift their feet as antelopes,
And as behemoth strong.

Come, East and West and North,
By races, as snow-flakes,
And carry my purpose forth,
Which neither halts nor shakes.

My will fulfilled shall be,
For, in daylight or in dark,
My thunderbolt has eyes to see
His way home to the mark.

Although his output decreased, along with the onset of dementia, The Grand Old Man still possessed the fire, resolve, and faith which drove his previous works.


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